A few weeks ago, we covered a little know fact about The Social Network. That is, the screenplay was actually based off of the book proposal of Ben Mezrich's The Accidental Billionaires, rather than the manuscript.
I finally got a chance to see The Social Network over the weekend, and noticed some things that also pertain to our discussion about creating original characters and plot lines from last week, and decided that a follow-up post was in order.
First and foremost, I thought the movie was very good, and well worth the price of admission. Aaron Sorkin (who also penned A Few Good Men, The West Wing, and Charlie Wilson's War) fills every scene with the witty dialogue for which he's known. Plus, it's a well-told and interesting story that was easy for me to connect with.
This was interesting to me on two levels. First, (and this related to the previous Social Network post) I am virtually positive that the reality of Facebook's creation did not have such a well-defined narrative arc. Part of being a good storyteller (like Mezrich and Sorkin) is molding events so that an audience can connect with them better. I think this is why The Social Network drew some criticism about being inaccurate, but I also think its the main reason I enjoyed watching it.
Second, (and this relates to the original character and plot post) the structure of The Social Network is entirely unoriginal—you could almost call it 'cookie-cutter.' And the plot, while certainly original, is also extremely well-known. I went into the movie knowing how it was going to end. Zuckerberg was going to be sued by his best friend (and a few others) and he was going to make an out of court settlement.
On paper, this should be a disaster—a familiar story told in a familiar way. However, Sorkin made each main character at least somewhat complex, and he infused every scene with dialogue that left you grinning and giddy. As I said before, richly drawn characters are all a story needs to draw me in. I was sold.
Did anyone else see The Social Network? Do you agree with this assessment? Disagree? If you have't seen the film yet, does this make you more or less inclined to see it now? If none of these questions interest you, how about just shouting out your favorite Aaron Sorkin script?